![]() As it pertains to this essay, it’s also a premise that raises an equally fascinating question: How do you tell a Christmas story set in a postapocalyptic world where no one remembers anything prior to 40 years ago? Image: Sunrise/Sentai Filmworks Konaka ( Serial Experiments Lain), the freedom to explore a wealth of stories that touched on everything from the stark class divisions between the city’s elite and its impoverished populace to the ephemeral persistence of love in the absence of memory. With the aid of his butler-mechanic Norman and his android sidekick Dorothy, Roger battles against a rogues’ gallery of villains who wish to exhume and resurrect the technology that once destroyed the world for their own nefarious ends.Īs far as anime premises go, The Big O’s is an especially fascinating one one which gave the show’s writers, led by head series writer Chiaki J. While occasionally acting as a mediator between Paradigm’s military police and the city’s criminal element, Roger secretly moonlights as the vigilante pilot of a gigantic, piston-fisted black robot with purple laser eyes called Big O. Forty years prior to the events of the series, civilization was destroyed in a cataclysmic war waged between giant robots (known as “Megadeuses”) which ended in the wake of an unknown event that mysteriously wiped the memories of every human being on the planet. Co-created by designer Keiichi Sato ( Tiger & Bunny) and animation director Kazuyoshi Katayama ( Giant Robo: The Day the Earth Stood Still) under the pseudonym Hajime Yatate, The Big O follows Roger Smith, a freelance negotiator and private investigator who lives and works in a postapocalyptic metropolis known as Paradigm City. For me, my winter holiday media tradition is rewatching one of my favorite - if not my favorite - episodes from one of my all-time favorite TV series: the 1999 neo-noir mecha anime The Big O.įor those unfamiliar, here’s some necessary background. Something that, by and large, captures what one might call the “spirit” of the season. For most, it’s usually a film introduced to them by a loved one at an early age - typically somewhere along the lines of A Christmas Story, Home Alone, or It’s a Wonderful Life. ![]() ![]() ![]() Around this time of year, almost everyone’s got their own go-to holiday media tradition.
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